Excellent course! So much valuable knowledge learned.

PARA MI ES UNO DE LOS MEJORES CURSOS DE BERKLEE.

Awesome! Every musician should take it!

Awesome course! very important info.

Good luck on your career!

Extremely helpful.

EXCELENTE CURSO!

Just Love it!

Amazing!!

Excellent

very good

I really love this course and think Leah Waldo's perspective as a musician is vital to understanding how to navigate the music business. I feel like this is part of Course 4 mixed with an actual musician's experience and guidance. It was really nice to feel like Leah understood that everything she was teaching was just a reflection of herself and her own experiences. I really appreciated this course even though she is a country music performer and I create beats - I felt like she cut through a lot of the crap that I might face as just a random student/musician in this course. As a producer, I felt like I was able to learn so much valuable information about how I need to navigate the music business even though I might be unaccustomed to that point of view. It made me think differently, and also allowed me to connect with a different genre of music. Leah was really good at emphasizing that the IVI is important to an artist and I think that translates to anyone trying to do something creative so it was one lesson that I pulled out of the whole course and can apply to almost anything creative. Learning about networking was also vital in teaching me about how I can extend my social sphere and try to reach out to my audience on a small and larger level.

It was ok. Good to get some practice to help students I teach. The final project asks you to pick one component in the initial description, then expects you have done all components after you have submitted the project... so that was less good. This course is done from the perspective of an artist, with only industry people the artist has worked with being brought in. If you want the industry insider (producer, marketer, social media expert) experience, this is not it.

This is useful for those who need guidance on artist identity and vision and is new to the process of recording, collaborating, producers, setting article goals and the business side of working as an artist. This doesn't go massively into the detail one would want from a more experienced angle, but I enjoyed this reliably less-intensive Berklee course.

Very good material for singer/songwriter with a small band wanting to make their first recording, or a budding artist planning to put something together.

This course seems silly at first But it's an eye opener, Especially to the idea that the business seems a bit off kilter and over enthusiastic

This is a good course. I really appreciated used her personal experience as a living case study to teach and demonstrate the material.

You get to know a lot about crowdfunding, would like more in-depth methods and mechanics

Informative and good advice. Thanks alot

Great course

I took this course as part of the Music Business Specialization and am not a musical artist myself. This course was geared towards musical artists and although I learned a lot of valuable information, some of the assignments were unnecessary for someone in my position including the final project. Maybe they should make it so non-artists can just do the peer-review portion and not the submission.

Instead of making me sit through Q&A sessions, I felt that these sessions could be used as research for the instructor and put forward to me as a more comprehensive maybe point wise instructions on what I need to do so I can make better note of things.

Esta bueno el curso; sin embargo, tiene algunos errores como la entrega final.

Its cool, but I would like that the instructor already have more trayectory

This course is good for someone who is just starting out in their artist journey and is geared for someone who is a vocalist who is also a band leader. The budgeting and networking tips are very rudimentary and could have been left out, in my opinion, in place of more artist-relevant things - there are much better resources out there for learning these skills. The thesis in the first week about not seeing the "business" side of your artistic endeavors as a chore that is separate from your creative side as well as making sure you have a cohesive "elevator pitch" that shows your identity, vision and intention was good. Unfortunately, it was all downhill from there.