Okay, so here it is, four measures before 224.
As we crescendo, do not get faster.
If anything, let's slow down, so it
becomes more deliberate and dramatic as we're going.
Alright here's 220, okay.
[MUSIC].
That's alright, what do you have? Mezzoforte.
That's okay, we got mezzoforte, we got a long way to go.
[MUSIC]
Can you literally try to drag? It really is just walking a little bit, and even if it's
just on the front side of the beat, it feels like it's rushing at measure 224.
Lets try it- 220.[Inaudible] decrescendo.
One, two, three, and.
[MUSIC].
Let’s add crescendo, start a little softer.
a dramatic crescendo
As it gets stronger, it literally gets softer.
It's okay to drag a bit.
Two, three, and.
[MUSIC]
[MUSIC].
Literally OK to drag. I dare you to drag and play together.
220.
Just a smidge of drag.
[MUSIC]
I double dare you.
Make me say that's too dramatic.
I dare you.
I don't think you can do it.
220, and.
[MUSIC]
[MUSIC]
[INAUDIBLE] [NOISE] It's completely controlled.
It just has a little bit of, it's mostly retard.
It's not a little retard.
It's just a little bit of… your body seems to elevate.
It's some progressive bravado.
One more time, 220, and then we'll [INAUDIBLE] as soon as we can.
[BLANK_AUDIO].
[MUSIC].
Okay, there's some great energy.
You still tend to push on expressive gestures a lot when they're eighth notes.
[MUSIC].
Pull back, give me the opposite, instead of rushing, try dragging.
Well see if we can zero that.
We're plus three rushing instead of going to zero
[INAUDIBLE], let's go three, go negative three then -
[BLANK_AUDIO]