In the game design and development capstone, you will create an original game from initial concept through implementation and then launch it to the world! Along the way, you will have the opportunity to put your game ideas in front of your peers and for the best-of-the-best you will have the chance to get feedback from game industry professionals. The capstone experience gives you the opportunity to push your skills further and demonstrate your newfound skills as a game developer. The capstone also contains guest talks from game industry professionals at Riot Games, Deep Silver Volition, Iron Galaxy, Radiant Entertainment, Goodgame Studios, Stardock, GREE, Heart Shaped Games, Kongregate, and more.
Jon Moore, Graphics Engineer, Iron Galaxy Studios
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來自 Michigan State University 的課程
游戏设计与开发毕业项目
137 個評分
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從本節課中
Milestone 6: Ship It!
Rule #1 of GameDev: If you don't ship, it doesn't exist. In this module, it is time to say, "Enough is enough," and ship your game. We're literally asking you to create a final build of something and put it somewhere where the world can see it. That can be Kongregate, the iOS App Store, Google Play or wherever you think is most appropriate.
與講師見面
Brian WinnAssociate Professor
Media and Information
Casey O'DonnellAssociate Professor
Media and Information
Hi, I'm Jon Moore, and today I'm going to be talking to you a little bit
about my job as a graphics engineer at Iron Galaxy Studios.
A little bit about Iron Galaxy first, we've got two offices in Chicago and
Orlando, and we're currently at around 110 full time employees.
And the company was kind of made out of the ashes of the Midway bankruptcy
in Chicago.
And the focus of the company
because of that is try to be a company you could retire from if you wanted to.
Trying to be more stable than the average game development studio.
Part of that is that our work is super diverse.
We're a mid-sized internal projects include things like Wreckateer,
Killer Instinct, and Divekick.
But that's usually up to only about 60% of the studio
working on a project like that at any given time.
We also have projects like Capsule Force,
Elder Scrolls Online being the most recent one to come out.
We do contract engineering where we lease out specialists to other studios
to work on now, big name titles like Destiny.
And we've also recently gotten into publishing independent video games.
Capsule Force just came out recently.
Videoball will be coming out in the future sometime.
So, a little bit about me.
When I was a kid, I started getting interested in game development because I
realized that my dream at the time of being a researcher at
NASA like my uncle wasn't exactly something that I thought was
that interesting when I actually realized what being a researcher entailed.
So then maybe something more focused on
creating something would be exciting to me, and I really liked video games.
I started trying out computer programing and
realized that this was actually something I might enjoy.
So going through high school I started to read up a bit and eventually decided to
come to Michigan State in 2008 when I graduated high school to pursue
computer programming and and video game development as a serious career interest.
And one of the things that I did when I got to Michigan State was that, for one,
I started being involved in the local game development club as soon as possible.
Started participating in 48 hour game jams, and events that the club put on,
to just try start to get to know people and figuring out how to work on a team and
make a video game with people that had similar interests.
Similar to that, I also had a really important opportunity where I got a part
time job in a lab making serious video games,
as a programmer mostly, which I really wanted to work
in big Triple-A games as a programmer or a designer when I graduated.
But just getting involved in a lab doing game development was really important for
me to start learning the ropes.
As I went through college I started taking more and
more computer science classes, working on games.
I started realizing that I was frustrated that when I finally got to classes where I
was working on games as one of my central projects as a component of my grade,
that our games didn't look as good as the latest Triple-A game that had come out and
I was trying to figure out how to solve that problem.
I started learning more and more about computer graphics and
rendering and engine programming as a result of that and
figuring out how to do what the cutting edge techniques were.
And I started to realize that that was actually what I enjoyed more
than anything else.
So I started seriously looking at that as a career.
I had a chance to go to the Game Developers Conference my sophomore year
and saw some talks that were really inspirational to me
from other engine graphics programmers and started following that as a hard line.
And then in 2011 I started looking for internships,
applied to a whole bunch of places, got a few interviews.
I also started blogging a lot just trying to
practice talking and communicating my ideas about game development.
And the CEO of Iron Galaxy actually happened to read one of my blog posts and
reached out to me.
I'd been interviewing at a few different places at the time.
But Iron Galaxy ended up being a really good fit for me.
I accept an internship, came out, started working on Ms.
Splosion Man for iOS for the course of my internship.
And then in 2012,
when I graduated, I came back to Iron Galaxy full time as a graphics engineer.
And I've been with the company for three years now.
Currently, I'm working as the rendering lead on Killer Instinct.
I've just become more and more involved in graphics and
rendering over the course of the time that I've been here.
So a little bit about what engine programming is as a career.
So this is a job that you're basically trying to get at the most difficult
core systems problems that you need to handle for
shipping your video game.
This is almost always going to be a job that involves working in native C++ code.
I very rarely touch scripting languages like C# and
Unity would be an example of a very robust scripting language.
On Killer Instinct, we used all of the game play programming code and
the technical design code happens in Lua.
C++ layer is below that.
And everything from file IO to rendering to core networking
calls happens in the C++ part of the engine.
And the way to think about this is that we build the systems that content developers
making the game use.
More specifically on the engine team, I'm a graphics programmer,
which means that most of my time is spent specifically supporting artists.
Because just because a company might spend a lot of money on
a rendering team at like EA or Activision or whatever to make their games look good.
The real secret to having a good looking video game is to have a team of amazing
artists that are well supported by the programmers.
So we spend a lot of time on investigation and
optimization of things that are limiting to artists,
like if they need to be able to have more triangles in their models.
Or they need some sort of custom shader for rendering water.
And that kind of ties into some of my time is spent on R&D for new visual effects for
artists to use, or just overall quality improvements to how our games look.
And something to realize about graphics programming compared to other fields
in engine programming is that it actually requires a lot of specialized knowledge
as a sub discipline that can be a little bit tricky to get into.
Just like if you go and get a job and expect to get tasked out with things
that will make you better at rendering programming,
you really gotta have the drive to start looking at it on your own be like yes,
this is something that I actually have a lot of interest in and enjoy.
And then things will start to fall in place behind that.
So if you're interested in either of these two things, I've got some advice.
For one, definitely read this book.
Game Engine Architecture by Jason Gregory.
Jason Gregory was an engine program
at Naughty Dog working on the Uncharted games.
And it's not a perfect book, but it is legitimately the best
practical primer for getting into engine programming in Triple-A video games.
So if you're interested in rendering programming as a discipline,
there's another book that you should read after you finish reading
Game Engine Architecture.
And that's Real Time Rendering.
It's a little bit updated but probably due for a fourth edition sometime soon.
But both of these books I read cover to cover while I was in school and
it was one of the best decisions I ever made.
The advice in each of these books is very relevant to the sub disciplines.
So beyond those two main pieces of advice, definitely,
in your own personal studies, and if you're taking classes in university,
try to tackle some difficult subjects involved in the core skills that you
would need to succeed on an engine team working on Triple-A games.
Things like low-level computer architecture,
being able to understand how a computer chip works on a very fundamental level so
that way you can write code that's optimized for it specifically.
Same thing with just learning about general C++ optimization strategies for
modern computers.
And another more recent one is multi-threaded programming is
becoming very very important to be able to thread your systems to run in
parallel across all of the cores on a CPU.
Additionally, it's very useful to be able to understand
each of the main components that makes up a game engine.
So that way,
whatever you get thrown at as a problem, you can work through it and figure it out.
A big thing is that if you can write your own toy engine in your spare time,
that's a huge boost to your knowledge about how all of these things will
fit together and work.
The other big piece of advice that I have is to get involved.
I mentioned I got involved in the student club at my university, I started doing
game jams, those were both excellent things that I did before I even really
started taking serious courses leading me down the path towards engine programming.
Another thing is I spent a lot of time on Twitter.
I started really trying to pay attention to what the experts in
my field were saying.
A lot of people like to tweet out advice of hey,
like this is a new paper that just came out.
Or like new blog posts on ideas or
just argue about even smaller things on optimization or features.
And once you start identifying these experts in the field, read their blogs,
start writing your own blogs.
I mention that's how Iron Galaxy found me to actually start my interview process.
And another thing is consider attending professional conferences.
Game Developer's Conference has lots of great content and so
does Siggraph for rendering.
And that can be expensive.
In college, I started spending a lot of time saving all of
my money that I could to make sure that I could afford to go to GDC each year.
But if that's not really feasible,
make sure you just pay attention to the Internet.
There's lots of slides and presentations that are available for
free after these finish.
For example, the advances in real time rendering
course from Siggraph always posts an extensive selection of slides and
course notes that are incredibly useful even if you didn't attend.
A little bit about getting a job.
Start a list of companies early on that you think might be looking for
entry level people, at any level, that you would be interested in working for.
And then once you're actually at the point where you're ready to be applying,
you can start going through that list and
seeing who's hiring or cold contacting them with resumes.
Just seeing who might be interested.
Plan on getting lots of rejection.
I know a lot of people that had to go through at
least 50 applications before they even got an interview.
But when you do get interviews try to learn as much as possible
from them to prepare for the next ones.
I definitely flopped my first several interviews just because
I wasn't familiar with the type of questions.
I went to a presentation at my university about programming interviews, but
the games industry has a lot more specialized questions
than a generic programming job will.
And definitely, in the midst of all of your job hunt,
try to keep improving the quality of your work.
The number one thing amongst my peers that I've noticed that I graduated with,
was that the people that got jobs were the people that were persistent
in making sure that even if they didn't get an interview or
a job offer right away, they just stayed persistent at it and kept hunting.
Kept working their work on the side, or finding a job in a related field,
continuing to work their way towards their goal.
And they got there eventually.
So yeah, I guess that's my advice.
Stay hungry, keep trying to learn.
That's especially important in the path of my career,
to just keep learning as much as possible.
Even after I got my job at Iron Galaxy.
Thanks for listening.
