Same procedure that we saw with the I, IV, I we apply here.
Let's go in contrary motion to the bass, which is going down.
We're going to move all these notes to the nearest chord tone above them.
Okay, well, with the tenor, that is the d, right?
That's the next chord tone above it.
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That one. And here, with the alto, it's
the g, and with the soprano it's the b. So, that goes in.
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And now, we have actually an interesting situation because you say,
oh you know, we should be able to just do this.
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well, we started here and we go there, so we should be able to go in reverse, right?
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But that is not true. This you, this you cannot do.
Let me explain why. Some of you may already know.
This note right here.
Any time you have a five chord, please be careful because
in that five chord is going to be a leading tone.
That's this guy right here, this b natural.
And this b natural is in an outer voice, that is it's in the soprano, you
know.
The outer voices are the base and the soprano.