But that's not the case here.
And, we're going to get a very different experience.
These are, you know, the difference between
a V and a VII diminished is a subtle experience.
It's a subtle difference.
The difference between a IV and a ii is a subtle difference.
The difference a i and a VI is a profound difference actually,
and that has a lot to do with the fact that even though you can
substitute the VI for a i chord. You, by doing so,
you're not keeping the function the same.
That is no situation, as a VI chord, functionally a tonic.
It just doesn't work.
So, let me, let, let me give an example of this, so you can hear.
So we're going to have this i, IV, V chord progression.
Let me just say something real quick about it.
Notice that it is a i, IV, V chord progression, but I've added
in some of the stuff we've looked at over the last couple of weeks.
This is our, well we
just learned about this, but this is our ii chord substituting for the IV.
This is the insertion of the cadential six four, prior
to the V chord which we learned about in week two.
Then we go to i. Lets take a listen to this.
[MUSIC]
Okay, that's all fine and dandy. Now let's [SOUND] make
our changes. [SOUND]
Like that.
And now we have V going to VI. And now let's listen to this.
This is going to sound significantly different.
And before you had this sense
that when we got V to i, there was a sense of finality.
We're not going to get that at all here.
What we're going to get is a feeling like we've been tricked.
[MUSIC]
It's a nice kind of trick actually in minor.
This chord always sounds very refreshing to me.
It's a nice surprise.