[MUSIC]
So for instance, this is what you might want to do.
But let's listen to it.
[MUSIC]
Eh, it's okay.
It's not the nicest thing in the world.
And then I want to put in here.
[MUSIC]
Well I'll just cheat a bit.
[MUSIC]
And do that.
Although now this is a single voice.
Sorry about that but this would be a separate voice normally.
And here I'll of course add in.
[MUSIC]
Add that in.
[SOUND] Okay, so if we go from here.
[SOUND] Let's listen to this.
[MUSIC]
Well, it, it works, I don't think there are any real voice leading problems,
but but this line here should be smoother.
Right now, it is, this actually [SOUND] is the leading tone, right?
And the leading tone returns where?
Back to the tonics, so this actually should just go here.
This should probably go up.
[MUSIC]
So in a way, this makes more sense.
[MUSIC]
But we don't want that.
[MUSIC]
Actually, we want that.
So what do we do here?
Well, hm, what we can do is alter this.
And I want to try to get some,
I want to get this note somewhere down closer to this e Natural.
And then we can just sort of.
[MUSIC]
Something like this might work.
Take out this passing tone because now there are a lot of passing tones, right?
I mean there's, this upper, and upper neighbor [SOUND].
You could say this is a seventh and that [SOUND] this is a passing tone.
But now this line has more independence and it gets us closer to this.
So voice, in terms of voice leading it makes sense.
We get this octave here.
And the octave goes in to give us this sixth, right?
This oct, this d and this d, go towards each other.
This goes to the e, this goes to the c.
Maybe we take a listen to this.
[MUSIC]
That certainly sounds nicer.
So, and it certainly helps maintain this sense of