Preparing for Final Render

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Current Gen 3D Game Prop Production

密歇根州立大学

課程 3（共 4 門，Art for Games 專項課程）

In this course you will learn to create a photo-real game prop using modern game art production techniques. You will gather reference, generate a base model, create a high polygon model, bake details onto a low poly model, and then texture and present a final portfolio piece. This course is aimed at students who have some knowledge in 3d and game art and would like to learn more advanced techniques employed in the creation of modern game assets. We will be using Maya, Zbrush, Marmoset, and Substance Painter extensively throughout the course. When you are finished you will have your own model based of of a real-world prop suitable for use in modern game engines.

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從本節課中

Week 6: Final Project and Presentation

This last week is set aside for you to spend more time polishing you model and going back to fix any issues that might have popped up during production. Often you will get to the end of a project and realize there were things you should have approached differently. Taking the feedback you received from the previous week's project, resubmit a final, portfolio ready version of your work. Our goal is to finish the course with the best possible looking final result.

Preparing for Final Render2:25

Render Settings in Marmoset13:21

Lighting An Asset in Marmoset4:14

Final Presentation7:45

教學方

Andrew Dennis
Professor of Practice

腳本

In this video, we'll prepare

a final game ready version that we can

use inside of Marmoset for our final render.

Now, that all my textures are done,

it's time to export these for use in Marmoset,

and then we're going to bring it into my reset and

start setting our [inaudible].

I go up to File, Export

textures and here I have

the menu where I can pick the material.

I just have the one and we

can see all the maps that it's going to

export for us by default as

well as the size that it's going to bring in.

There's quite a few settings and

different types we can change as well as,

here I'm setting where we're

actually going to save it to.

Just pick a nice folder that

all of my maps are going to go to,

and for something like this I like to create

a new folder just to keep track of this separate from,

sometimes I make a lot of temporary bakes.

So I'm making a separate folder called texture.

Then simply click Export,

and where it'll make all of

these textures to individual maps for us.

We're not going to be using all of these

but we will be using a lot of them.

Before we get into the Marmoset side of things,

I want to change a little bit about

my low Polya model to make it more game ready.

I kept all of these lenses together,

but now that I'm done with

my texturing I'm actually going to turn lenses

into separate objects so I can apply a glass material

inside of Marmoset to the object.

So I'm just selecting just where

the glass would be and I'm going to

separate it into its own object.

Now, I'm going to create

a new material that's going to represent

my glass just to keep track of what gets applied to what.

I'm going to delete all the history and everything.

I'm going to collapse the low group and I'm going to

make one more duplicate of this.

I'm going to keep track of it separately.

Because I know this is my game ready one.

I'm just going to call this one low game.

The reason I'm making this a separate group

is I'm going to take everything but

the lenses and I'm going to combine

them all together into one object.

So now I have a group called game ready that

just contains my body and my glass,

and I'm going to export this

now for use inside of Marmoset.

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