Our relationship to Beethoven is a deep and paradoxical one. For many musicians, he represents a kind of holy grail: His music has an intensity, rigor, and profundity which keep us in its thrall, and it is perhaps unequalled in the interpretive, technical, and even spiritual challenges it poses to performers. At the same time, Beethoven’s music is casually familiar to millions of people who do not attend concerts or consider themselves musically inclined. Two hundred years after his death, he is everywhere in the culture, yet still represents its summit.
The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world.
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This course and Mr. Biss' immense knowledge of Beethoven's sonatas and that era has given me a new interest in classical music. I can understand and speak about it more confidently than ever!
Fascinating trip through the marvellous Beethoven sonatas. Although I love them since many years, I'm very happy to see that It's always possible to progress.\n\nMany thanks Jonathan.
Excellent coverage of the essentials. Provided me with a lot of understanding that I didn't find elsewhere. I would recommend this to anyone interested in knowing about the sonatas.
I highly recommend this course to anyone that wants to look DEEPER into music. Believe me, after you are done with this course. You will see classical music completely different.